Helping to put together the Meadow at Shambala festival 2017

Shambala is a music festival held in Northamptonshire in August. Since 2014, I've made furniture for the Meadow area at the event every year and was invited to do it again in 2017.

The Meadow houses the Healing Field, at the centre of which is a fireplace surrounded by seating and plants. It's a beautiful spot and I love to see people relaxing and unwinding on seats that I've made, surrounded by tents that healers are working in.

A week beforehand, bundles of scrap wood from sawmills are delivered to each area of the festival to build seating, fences or whatever else is required. It's always exciting to cut the straps, pick through and see what timber there is to work with! It could be oak, larch, lime, cherry or something else and much of it is reused from previous years. Sometimes even the strapping itself is reused in a design...

This particular festival is very keen on having as little environmental impact as possible. To help with that goal, we try to reuse as much as possible from previous festivals when making new furniture. Since a lot of the benches and tables are made from durable timbers such as larch or oak, they last well outdoors and so between festivals they are often used by visitors and fishermen on the estate. At the beginning of the next festival, we wander around hunting out each piece from wherever it has been spirited off to. There is always real excitement when a particularly-loved item of furniture is found!

Some of the benches from 2014 are still going strong today. When much of the rest of the site has new woodwork every year, I really like that the Meadow has furniture that is really 'of the place' - it stays there all year round. The patina of age suits it well.

Another thing that I really love about working in the Meadow area is that many of the crew have been doing this for years and know each other well. Some benches reuse pieces of timber that were originally part of seating made by Bertie, a stalwart crew member who sadly passed away before I started helping at the Meadow. It's nice to think that his work is still present in some of these benches.

I also enjoyed working with some of the younger crew members on making items for this festival. This seat was a joint effort, using materials found onsite, and we had a great time putting it together!

It's not just seating that gets made for Shambala. For the last two years, one of the featured workshops has been paddleboard yoga. The people doing it head out onto the lake on their paddleboards and do yoga there. 

We were asked to make a jetty, so that the attendees could get onto the water easily. It's now a permanent feature in the grounds. 

It's not only useful for the workshops but is also a nice place to sit, surrounded by swan mussels and water plants. Don't try swimming though! The water is quite shallow and the thick, black mud is deep. The swan mussels shouldn't be eaten either, by the way. Just relax and enjoy the view.

Making insect hotels as a workshop at Southmead hospital

Insect hotels are basically compartments filled with things that insects like to hide in; dried plant stems, leaves, rotten wood etc.

I worked with Esther Coffin-Smith, the sustainability officer at Southmead hospital to give visitors, staff and patients at the hospital a chance to fill their own hotel and take it home with them.

The boxes were made in advance using exterior plywood and heavy-duty EDPM rubber. These materials were all recycled offcuts very kindly donated by the Bike Shed Company. To fill them, we had strips of recycled corrugated cardboard (which lacewings like to live in), rotten wood, bark, dried stems of cow parsley and hogweed (not hemlock), pieces of bamboo and leaves of London plane (Platanus x acerifolia). 

It was great fun to create the patterns of stems and other materials and we also had twenty-nine children from St Theresa's School join us to build their own hotels to take home.

At one point, someone began to play on a nearby piano which was a very nice addition! It's the first workshop that I've run that has had Ragtime music played as an accompaniment.

The boxes each had two holes drilled into the back, so that they can be hung up in a sunny spot to attract solitary bees or a shady place for other insects. 

Ideally, I would also have put metal wire mesh over the front of each box to prevent birds from pulling out the fillings looking for the insects hiding within. Obviously with large groups of children the cut metal could have caused injury, so it was thought best to leave it out of this workshop. A coat of exterior varnish on the outside of the boxes may have helped them last a bit longer outdoors as well. Thanks Esther for inviting me along for the day.

Carving workshops and making a bench for LinkAge in Lawrence Weston, Bristol with younger and older participants

Running workshops for LinkAge is always a lot of fun. They organise projects to try and get young and old people working together, encouraging communication between two groups that might not otherwise come into contact in a positive situation.

I've led several workshops in the west of Bristol for LinkAge previously and it was great to be asked to run these two days at Blaise Weston Court retirement home in Lawrence Weston.

Everything was set up in the main atrium of the building, so residents could drop in and have a go if they wanted to. There were two possible activities; making a simple, shallow relief carving or working together to make a bench from larch timber, to go in the garden of the home.

I hadn't run a session in this kind of environment before and noticed that many people having a go had mobility issues, which would perhaps make going to a venue elsewhere difficult and unappealing. It was great to see them getting stuck into the activity in a more convenient setting and some people commented that they really enjoyed using tools again, after a working life in a trade such as electrician.

Three young people from the local Gateway school were also helping to build the bench and they worked very hard, alongside one of the residents of the home, making a great job of the finished bench.

Everyone seemed very happy with how things went and I hope that the bench will be in the garden for a long time to come!

Teaching wood carving lessons in Bristol and Nailsea, to individuals and schools

I've been teaching carving regularly for about nine years and really enjoy sharing the craft that I love with people who would like to learn the skills to make their own wood carvings. 

It isn't necessarily a one-way process either; it's always interesting to experience things through the eyes of someone who is new to carving. Often 'learners'  will come up with great ideas that I might not normally think of. Even after over twenty-one years of carving, new ways of imagining designs are always good to see.

In the last month, I've run two very different teaching sessions. The first was a session of individual tuition at my studio. One particularly enjoyable thing about individual tuition is that it means that the learner can practise with my own full set of professional carving tools, which wouldn't really be appropriate to use with larger groups of inexperienced carvers. I always use good quality, sharp tools when teaching anybody but with individuals, I can first make sure that they have the knowledge to safely use some of the particularly delicate tools in that set. The person attending can also have the entire session completely tailored around the particular information or skills that they want to learn more about.

I had worked with Rich before when he brought groups of disengaged young people to Boiling Wells, where I used to work part-time. He's been getting more and more interested in woodworking since then and wanted a few pointers about things that aren't necessarily taught in conventional carpentry or joinery courses, such as the uses of different kinds of native timbers.

Another subject that especially interested him was sharpening techniques. It strikes me that this is really best learned by actually being shown it, by some one who knows how to sharpen, and then practising it regularly. We covered everything from using different kinds of bench grinders to making an effective strop to hone blades until they are razor-sharp. By the end of the session, Rich not only knew how to sharpen using various types of sharpening device but also had his chisels and an axe honed again, to take back with him and use.

Later in November, I travelled over to Nailsea school to teach carving at the D.E.N. project. The school uses this area in its grounds to run forest school sessions and they are very interested in teaching students practical skills.

Throughout the afternoon, groups of up to five pupils came out to the small shelter in the D.E.N. area and carved oak plaques to take home with them. 

They could carve pretty much whatever they liked and it was fascinating seeing what designs were produced. I was particularly interested by how many chose themes to do with computers, such as items from Minecraft, which they reproduced using the very traditional techniques of wood carving. It was also interesting seeing the journey that some people had during the session, from initially being very frustrated with new, unfamiliar skills to finding more confidence and eventually making pieces that were nicely done and that they could feel happy with.

Miss Hollingdale, who invited me to run the session, really got into the carving too and I anticipate that it's going to be a regular feature at D.E.N. sessions from now on!

Pendant carving workshops at Wildfest 2015 on the Northern Slopes in Knowle West, Bristol

I've run these workshops at the two previous Wildfests on this site and they always go down really well. One of the great things about these events is the view here, from the Northern Slopes away across Bristol. 

I had brought along plenty of uncarved pendants made from locally sourced timbers such as sweet chestnut and oak. Visitors could draw on their own designs, carve them and then take them away for free.

It was certainly busy! There was a queue of people for most of the festival, waiting to try carving. I'm sure that most of them were giving it a go for the first time too. Children were especially keen, but there were also a few parents ready to give it a whirl:

One highlight for me occurred when a young pendant carver came up to the bench. I asked her what she would like to carve on her pendant. She looked at me and said "I'd like to carve a sculpture."

Fair enough! 

Working with LinkAge to teach younger and older people woodcarving in Shirehampton's Tithe Barn, in Bristol

LinkAge work to bring younger and older people together on projects, to promote communication between two groups that don't always get the chance to meet in such positive environments.

I've worked with LinkAge before, on a project to make a bench for Shirehampton in Bristol. It was a  pleasure to be invited back to work with them again for two days at Shirehampton's Tithe Barn. 

The young people who came all attend 'The Orb', which is associated with the local Oasis Academy Brightstowe school. 

The Orb particularly caters for students who aren't getting on well with conventional education. Chatting to some of them, it was very interesting to hear their thoughts on the normal classroom environment. They all enjoyed the opportunity that The Orb gave to be able to have a say in organising their studies to fit the way that they learn, rather than being forced into the normal routines of the classroom.

Eileen was also hard at work over the two days, creating a carved oak plaque for her garden.

I think that everyone attending learned quite a bit about woodworking. There was a choice: either making plaques from cedar or oak wood to take home or working on a bench for the garden at the barn.

Making the bench first involved cutting the oak legs to length using a bow saw - no mean feat!

 The seat was then shaped, using a drawknife to round the edges.

It then needed to have holes drilled into it and to be carved with designs that had been drawn on, showing the barn and a design of cart special to the area.

Two of the young people also carved and assembled a plaque for The Orb using a bow saw off cut, as a nice surprise for the staff there.

The bench came out really well and will last a long time, as it is made from durable oak and sweet chestnut timbers.

Thanks to Ricky, Susan and Laura at LinkAge and to everyone who came along for their hard work on the two sessions. I also had some very happy news on this project.

Ricky, who is one of the senior workers at LinkAge, told me that they felt that the previous benchmaking project that I'd led for them had gone so well that they were now using it as an example in funding applications and other important publicity work.

They had asked me to run some of these new sessions for them because it was particularly important that, as part of a major new project, they went well. They felt that I'd be able to help ensure that the new sessions were a success. I've got to say that it was very satisfying to hear how pleased they were with my work.

Teaching woodcarving at Perry Court primary school in Bristol

The weather was hot and sunny last Friday as I set up to teach woodcarving at Perry Court primary school in Hengrove, Bristol.

Ben at Youth Moves had invited me along. They work with young people from around the area and I'd previously worked with Ben a few times, including doing pendant carving at the Northern Slopes 'Wildfest' in Knowle. The carvers were all in their final year at the primary school, so were aged about ten or eleven years old.

Each person got a block of cedar wood and they were invited to carve an animal or plant onto it. I chose to use cedar as it is durable outdoors, easier than some other softwoods to carve and it was available!

 

When everyone had produced their carvings,  one of the students helped me to assemble the blocks and fix them onto a frame.

The school has recently begun work on an art/nature trail through some trees on one side of the grounds. While I was carving with year 6 pupils, Nick from Olas art was making colourful signs with other students, to be put up elsewhere on the trail.

After we'd finished assembling the wooden frieze...

... it was tied onto some trees along the trail with sturdy rope, so as to cause as little damage to the trees as possible.

A great way to spend a sunny afternoon!

Woodcarving lessons for visitors to the Tree Life Centre in Bristol

Yesterday was a beautiful sunny day, as I headed back to the Tree Life Centre in Kingswood to teach visitors to their Open Day how to carve wood.

We were carving a sign from oak that once grew on the Quantock Hills in Somerset. Most of those having a go were aged between about 5 and 12 years old, although I'd say that one young carver was less than 3. As her mum watched, I carefully let her hold the carving mallet and V tool, then held her small hands inside mine to make sure that she was completely safe as she carved. Despite some initial shyness, she quite obviously loved it!

A couple of the grown-ups also took a mallet and V tool for a spin and everyone seemed to enjoy it. Altogether, I'd say around sixty people tried their hand at carving during the day.  I asked a couple of the young people whether it was harder to carve than it looks. After some thought, they said that it wasn't always too hard, although as they did more of it they found some parts harder to do than others. Sounds fair enough to me.

The finished sign was finished with tung oil and will be situated next to the Tree Trail at the centre, which means that many of the visitors who live locally will be able to see it whenever they like. The trail has native trees growing along a path and the centre also sells native British trees and plants.

Whilst walking around the site, I also saw one of my favourite British wildflowers (although I'm pretty sure these ones had been planted there). It's called the snake's head fritillary.

These drooping tulip-like flowers, with their chequerboard patterning, always seem strange and exotic even though they are native to this country. They grow in damp meadows in the wild but are quite local in their distribution, so aren't commonly seen in most of Britain which made it even nicer to see them yesterday.