As well as this blog, I also have a website and Instagram page with lots more images of my work as well as a few more stories.
If you like woodcarvings, you might want to have a look.
Showing posts with label leigh woods. Show all posts
Showing posts with label leigh woods. Show all posts

Tuesday, 28 April 2015

A day in Leigh Woods; Burwalls cave, Luke Jerram's stranded boats and a wooden sofa

Leigh Woods runs along one side of the Avon Gorge near Bristol and is home to some very rare species of trees and plants. I went there a few days ago with a friend of mine, Duncan.

First we visited the legendary Burwalls Cave. This cave is quite a scramble to get to, but it's worth it. When we went, the ramsons (also called wild garlic) were covering the woodland floor, giving the mild garlicky smell that always means 'summer is coming' to me.


The cave itself is just under where Burwalls House now sits at one end of the Clifton Suspension Bridge. Before the mansion and the bridge were built, there was an Iron Age hill fort there.


Although some of the cave looks natural, I'm sure that other parts were dug out, built up and remodelled to make the place more like a grotto when such things were fashionable. The Bristol area has a couple of other notable grottoes, including ones at Goldney House and Warmley. 

Unfortunately, the cave was a mess when we arrived, with old sleeping bags and rubbish all over the place.  There were no signs of any current occupants either.


We couldn't really leave it in such a state, so we bagged up the rubbish and piled away the camping gear (being very watchful for discarded needles, of which there didn't seem to be any luckily). It was a real shame to see such a great spot, that many people have enjoyed finding for the first time, left full of discarded junk. Often before there has been cooking equipment and similar useful items left there tidily for other visitors to use, but this was different.



It looked a lot better afterwards, and in one dark corner we were rewarded by coming across a roosting bat. We also let the rangers, who look after the cave, know what was there. Hopefully it will be in a more welcoming state now.


After a bit of a mad scramble to get back to the parapet of the Suspension Bridge, we walked up into Leigh Woods. It was good to be there again, especially at this time of year when everything is gearing into summer.  The visit also gave an opportunity to visit the Centenary Bench and see how it was doing, as well as getting some knife carving done.


Two of the National Trust rangers at Leigh Woods have carved a great-looking wooden sofa, from cedar which originally grew on the Tyntesfield estate.  It is where the car park used to be by the Trust's offices :


There was another new artwork to be visited in the trees nearby. Luke Jerram is a well-known artist and has made installation artworks around Bristol before. He has placed five fishing boats in the woods as a piece called 'Withdrawn'. It addresses the problem of overfishing and its effects on the environment.



It was interesting to see, although it was a shame that the boats weren't safe to climb onto. Even though it wasn't the point behind the artwork, some of Jerram's previous installation pieces have involved a lot of viewer participation (playing pianos left around the city or sliding down a huge water slide) and it made just standing and looking at the boats feel a bit like there was more that could be happening.  


The walk there was lovely though, with the bluebells in the hazel coppices starting to come into flower. I'm glad that the artwork is there and that it gives people who might not be visiting the woods otherwise a reason to see them when they're at (what I would consider) their most beautiful.

Wednesday, 10 December 2014

Revisiting previous bench projects - how were they doing?

Yesterday, I was on the other side of town and decided to check in on a couple of previous projects. They are two benches installed in public areas, so I wanted to make sure they hadn't been vandalised or damaged.

The bench at Shirehampton was made with a group of local people of various ages at the end of 2013 and installed in January 2014. Here's how it looks after the first year:


The first thing that I noticed was...no vandalism! Apart from the evidence that wild birds were using it as a perch occasionally, the bench was as it had been when installed. It was nice to see that the untreated wood was aging beautifully. Larch, Sweet chestnut and Oak are all durable timbers, so I didn't use finishing oils on them and they have turned a lovely silvery colour.


The next bench was up in Leigh Woods, on the protected area of Stokeleigh Camp iron-age hill fort. It was made and installed in 2009 and did have some finishing (tung) oil applied at first. The five years since then have allowed mosses and other plants to move onto it and I think that it now looks part of the landscape in a pleasing way.


I could see that a couple of old attempts had been made at scratching names into the timber. Seasoned oak doesn't give up that easily though! The scratches were hardly noticeable. Judging by the wear in front of the bench, it has had plenty of use and hopefully has been enjoyed by a lot of people.


Thursday, 19 April 2012

Leigh Woods Centenary Bench

This solid oak bench was installed in Leigh Woods, near Bristol, in October 2009. It is situated on Stokeleigh Camp (an Iron Age hill fort) and was commissioned by the National Trust to commemorate 100 years since the land was donated to them. The research and construction of this bench is still one of my favourite commissions. It's great to see that it is weathering well and looking more and more 'of the place'.The paler bit about halfway along the top of the backrest seems to be where someone has recently sanded the wood (perhaps to try and remove some scratched-in graffiti?) That said, the graffiti is happily neither widespread nor deep on the bench so far. Oak heartwood is tough stuff!