My name is Alistair Park and I'm a professional carver who is based in Bristol, England. I've been carving for over twenty-eight years and I also enjoy teaching my skills to people of all ages. You'll find posts here about all kinds of things to do with carving; the work that I do, the people that I meet and the things that I see which inspire me. Please feel free to comment on anything of interest, it'd be great to hear from you!
If you like woodcarvings, you might want to have a look.
Friday, 24 February 2012
Matthew figurehead
I'm still working on the figurehead, just waiting for a few last vital measurements before starting carving. Last week the timbers were cut and planed smooth so that they can be glued into a block to be carved.
'Wood miner'
Well, it's been a while but I've just made another metainsect for the series that I've been working on for the last few years. These sculptures are all inspired by the US defence department's 'HI-MEMS' project, which seeks to implant electronic and mechanical devices into insects so that they can be used for military purposes.
I'm imagining that eventually, instead of implanting complete devices, tiny 'nanofactories' would be put into the insects. These could produce the devices from within the creature and would also be able to self-replicate into succeeding generations, meaning that the insects could be released and then left to reproduce themselves with their synthetic systems being passed on as well.
With the possibility of reproduction comes the chance for variation and evolution, both of the insect and the synthetic system. So what would the evolved descendants of these creatures look like and what other creatures would prey on them?
I'm imagining that eventually, instead of implanting complete devices, tiny 'nanofactories' would be put into the insects. These could produce the devices from within the creature and would also be able to self-replicate into succeeding generations, meaning that the insects could be released and then left to reproduce themselves with their synthetic systems being passed on as well.
With the possibility of reproduction comes the chance for variation and evolution, both of the insect and the synthetic system. So what would the evolved descendants of these creatures look like and what other creatures would prey on them?
The 'wood miner' is like a super-woodworm, which has a tri-cone mining drill bit as mouthparts, so can chew through almost anything. A woodcarver's nightmare!
| This image shows all the individually carved pieces that make up the sculpture |
Monday, 30 January 2012
Four seasons at Boiling Wells, St Werburghs, Bristol
These pictures show the seasons at the Boiling Wells nature reserve in inner city Bristol, where I work part-time. It is administered by St Werburgh's City Farm and is a beautiful place, as I hope you'll agree.
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| A snowy day in January |
| A frosty February morning |
| A sunny day in March |
| Springtime and the plum trees are in blossom |
| May/June, with the maypole still decked out |
| Late summer and the site is at its greenest |
| Autumnal golden leaves If you would like to go to the St Werburgh's City Farm's website, or return to it, then click on this link |
Breamie on the Matthew
Monday, 23 January 2012
Timber for 'Matthew" figurehead milled
Last Friday we milled the timber for the new Matthew figurehead at the Ashton Court estate on the edge of Bristol. The tree trunks used are Lawson cypress, which was cut down as part of a landscaping scheme and has been sitting around unused for a few years just down from the mansion which it grew next to. This timber is very durable and not bad to carve, so will be ideal for the Matthew. This kind of tree also comes originally from North America, so also ties in nicely with the Bristol-American connection that the Matthew represents.
My mate Bob brought along his Alaskan mill-a frame which attaches to a huge chainsaw so that timber can be cut up onsite. With the help of Alex Philips, the three of us managed to cut large logs into some good, usable timber in a day. Some of this will now be glued into a block to carve the figurehead from, making it more stable and less prone to warping or splitting over time than a squared-up piece of trunk would be.
My mate Bob brought along his Alaskan mill-a frame which attaches to a huge chainsaw so that timber can be cut up onsite. With the help of Alex Philips, the three of us managed to cut large logs into some good, usable timber in a day. Some of this will now be glued into a block to carve the figurehead from, making it more stable and less prone to warping or splitting over time than a squared-up piece of trunk would be.
to pose for a team photo
Many thanks to Bob and Alex- it couldn't have been done without your help! And here's a nice sunset photo of Ashton Court to finish with...
Saturday, 7 January 2012
Liz KrĨma
The start of this year was sadly marked by the loss of Liz, who was a very talented ceramicist and a good friend. Liz had previously shown at an important international ceramics festival in Croatia and had just completed a residency at a ceramics research institute in Denmark, where she was planning to live. Her determination and creativity were inspiring to be around and she will be missed by a lot of people. I just wanted to remember her here.
Carving workshop
Today was spent running a woodcarving workshop for the British Trust for Conservation Volunteers (BTCV). The people attending were all young people who are carers, looking after someone (e.g. a family member) who needs help in their day-to-day life.
We carved signs from oak which will be put in the BTCV's Tree life centre in Kingswood, Bristol. The signs identify the different types of tree which are grown in the tree nursery there. The trees are sold to fund the charity's work.
Everyone produced some really good signs and it was a pleasure to work with them all.
| The finished signs, with the oil finish drying |
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