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Wednesday, 15 March 2017

Ancient and modern woodworking on the Somerset Levels

Somerset Levels Avalon Marshes

The Avalon Marshes are three nature reserves (Shapwick Heath, Westhay Moor and Ham Wall) on the Somerset Levels, not far from Glastonbury. The wetlands are formed from the remains of peat workings that have since filled with water to form a valuable habitat for many kinds of birds.


westhay moor


As part of new work at Westhay Moor, the Somerset Wildlife Trust had commissioned me to carve designs drawn by children at a local school onto two larch boards, each about 3 metres (8 feet) long.

First, I enlarged the drawings and reproduced them onto the boards using a grid.



Next, the designs were carved using a Dremel, a small drill which had a burr-shaped cutter mounted onto it. I have found that carving into some softwoods (like larch) using power tools can sometimes give a better result than using traditional hand tools, no matter how well-sharpened they are.



The designs were then painted in with durable black gloss paint and finished with a finishing oil.

Somerset woodcarving

While out at the site to deliver the boards to the Trust, we took the chance to explore a bit. 

Westhay Moor

The marshes were beautiful and quiet, with only a few dedicated bird watchers about. We heard a Cetti's warbler and saw a reed bunting; so we got in some birdwatching too. There were several carvings dotted about the marshes that were also interesting to see.





The sculpture shown below refers to the murmurations of starlings, which the reserves are famous for. In winter, millions of starlings roost here and on clear, cold evenings they swoop and swirl in great clouds over the reeds.


Starling murmuratio

While visiting Westhay Moor, I couldn't miss going to see a new bird hide that was designed and built by my friend Tom Redfern and his colleagues at Roundwood Design.


The two-storey hide is reached via a causeway and gives a great view out over a pool that is very popular with many different kinds of birds.


The wooden-clad side that is visible as you approach the hide is fine but when you go inside, the roundwood framing that Tom specialises in becomes visible. I think you will agree that it looks great.

round wood timber framing

round wood design


This area has also turned up many pieces of very important archaeology. The marshy, peaty ground preserves wooden artefacts well as the lack of oxygen prevents decomposition. 

The second oldest walkway ever discovered in Northern Europe was found very nearby - the 'Sweet Track'. 


Image by E. Mortalmans from http://avalonmarshes.org/the-avalon-marshes/heritage/sweet-track/

Found in 1970 and named after its discoverer, Ray Sweet, the 2 kilometre (1.24 miles) long track was constructed in either 3807 or 3808 BCE along the course of an older walkway, known as the 'Post Track'. It was only in use for about 10 years before being abandoned but many finds have been made around it, including an unused jadeite axe head that was created from rock which originated in the Alps.


sweet rack axehead
Image from http://www.somersetheritage.org.uk/record/11000
Many wooden artefacts were also found, including pins made from yew timber, a throwing axe, four paddles and a small wooden doll that could have been a child's toy or a votive offering. They are preserved in different museums now but most of the Sweet Track is still where it was found, although not visible to the public. It is buried again, with a system in place to ensure constant immersion in water so that it doesn't dry out and start to decay.


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